Feeds:
Posts
Comments

Archive for the ‘Jazz’ Category


It’s late in the evening here, and I’m up thinking. Given the fact that I am a long time nocturnal creature this is not an unusual occurrence. I picked up my unusual sleeping habits during my time as a New York club kid. As I write this, these are what would have been prime time club going hours from another era. Back in the day when New York was a seething cauldron of cutting edge street fashion, all night dancing, and young girls with long legs in short skirts, I was on the guest list of every club in town.

Some of this reminiscing has been prompted by my decision to return to the Soul City area after having been away for nearly 20 years. Soul City was the place where I was born and raised. It’s the place where Clyde Otis, the first black A&R man to work for a major record label lived and raised his children. It’s the place where “Wicked” Wilson Pickett, the great midnight shouter lived while he recorded a string of history making hits for Atlanctic Records. It’s the place where The Isley Brothers lived, and where I began my career in the music business at the legendary Sugar Hill Records.

A wise man said that it’s better to have good groove and no money than to have plenty of money and no groove. I concur. Obviously, music has played an enormous role in my life, and it has sustained me when nothing else could. The path that was paved with hits has led to a gig with Apple Music’s Beats 1 Radio, and for the past year and a half, I have served as an announcer on Q-Tip’s Abstract Radio Show. On Tip’s Friday night mix show, my voice is the first one you hear. Apple is the dominant music and technology firm of the current moment, and I am honored to be a part of their team. 

Normally I introduce Q-Tip or a guest DJ with a bit of copy that I have written for the purpose of providing the drama of aural theater. Later tonight, at our usual starting time of 10:00 PM EST, I will be the in studio host for a Soul City Takeover of Abstract Radio. In a moment of sheer lunacy, Q-Tip has decided to let me both choose the music and narrate the mix. Our esteemed producer Lady Chellz, will be on the 1 and 2’s spinning Soul City classics with new music liberally sprinkled throughout. Chellz and I will endeavor to keep it funky for you for two hours, and of course, we can be heard on better devices everywhere exclusively on Beats 1. C ya on the radio.

insideplaya 

Read Full Post »

The Ab is the abbreviated name of The Abstract Poetic, another fly pseudonym for the player more widely known as Q-Tip, the leader of A Tribe Called Quest. We work together on Apple Music’s Beats 1. He spins and I announce. We’ve got chemistry that we’ve developed over a period of nearly thirty year’s time. 
He called yesterday. Hearing from him is not the most unusual occurrence in and of itself, but he’s been busy lately – mad busy. Monday he and his fellow band mates shot a video, Wednesday night they had a listening party in Queens, and yesterday he was rehearsing for an appearance in support of Dave Chapelle’s first shot at hosting Saturday Night Live. The SNL gig jumps off tonight.

While he was on the phone, he had to pick up another call from Jonah Hill, and he’d already heard from Bradley Cooper. Rick Rubin texted his congratulations. Nas checked in, Alicia Keys and L Boogie checked in. Rock and Roll Hall of Famer, Rev. Run of Run/DMC checked in. All of this uptick in activity and interaction with these film, comedy, soul and Hip Hop headliners has been prompted by yesterday’s release of the sixth and last album from A Tribe Called Quest “We Got it from Here… Thank You 4 Your Service,” the band’s first record in nearly twenty years. And the first one since the heartbreaking and sudden death of Tribe cofounder Phife Dawg, from complications due to Diabetes last spring.

“We Got it from Here… ” is on fire, and showing early signs of penetrating the public’s consciousness by receiving commercial acceptance in a way that is rare for records in these times. In an earlier era, you could easily track the success of a new release through radio air play and retail sales. Now, the online radio community, Soundcloud, You Tube, streaming, unauthorized downloading, file sharing and the rest have diminished the ability of record companies to quantify the success of their product. Even so, early indicators are that the record is already top ten in sales in eighteen countries (without the availability of a physical CD), and may possibly enter next week’s pop chart at number one. Epic Records chieftain and Black Pop overlord, L.A. Reid has got a left field smash with significant cultural importance on his hands.

The current political climate has upended the American status quo in a shockingly definitive fashion by unearthing an ugly underbelly of hatred that had been previously held in check. In an effort to reclaim economic and political power, working class whites and a large portion of voting Latinos elected an immature and bigoted political novice to the Oval Office. Blacks, Latinos with sounder political views, Muslims, women who want to maintain the right to choose, gays and people in need of affordable health care all feel less secure than we did at the beginning of the week. In uncertain times the need for solid, dependable ideas, concepts and institutions increases. A Tribe Called Quest is one of those durable brands that we can count on in times of distress to soothe our souls with the healing power of Black Love.

Yesterday at an impromptu retail pop-up promotion in New York’s Chinatown, a line of eager Tribe fans, that went totally around the block in both directions, and met itself at the beginning, began to form six hours before the doors opened. While attending the event, Tip encountered a young woman who was despondent about America’s recent choice for president. She confessed that she’d been considering suicide because of our national folly until she heard “We Got it from Here… Thank You 4 Your Service” and now she has the hope to go on.

The young fan is not the only one who has been feeling a little down lately. The record has been giving me life too. It’s dope, game changing and badly needed.  I’ve been hearing bits and pieces of WGIFHTY4YS in various stages of completion for nearly a year. The intensity of the production and performances far outshines anything else in the marketplace right now – Tribe is playing chess while the rest of these kids are playing marbles.

When I visited Tip in September at his home in Soul City, he played a relatively complete version of the project for me over the course of three nights. The majority of the record was recorded in the Ab Lab in the basement of his crib. Based on that first night’s playback, I was so overwhelmed by what I heard that I had to excuse myself and go to sleep. I didn’t have the required stamina to hear that level of sophistication and fury. Subsequent listens inspired tears.

Sonically this record is somewhat undefinable but it is rooted more in a slick Pop/Funk thing that can only be described as the Q-Tip sound. He’s been digging in the crates where the rarest of grooves can be found, but has incorporated. a good deal of live playing that fits his overall concept well. With this record, Q-Tip, the master conceptualist, DJ and MC has stepped forward to the elite ranks of record producers working in music today.

They’re all on it. All the Tribesman; Tip, Busta Rhymes, Jarobi, Consequence, Ali Shaheed Muhammad and Phife. A few friends helped out too; Andre 3000, Kendrick Lamar, Anderson .Paak, Talib Kweli, Marsha Ambrosious, Jack White, Elton John and a new voice on the record’s tribute to better living through chemistry “Melatonin,” Abby Smith. The group addresses hot topics in the intellectually conscious, insightful, humorous and funky way that has made the band one of Hip Hop’s best of all time. Tip, Jarobi and Phife set the pace from track one on “Space Program,” a demand for the listener to wake up to the pervasiveness of the affects of wealth inequality among other things. Other standout tracks include ; “Whateva Will Be,” a proud display of human and lyrical identity; “Dis Generation,” a tight freestyle with pop potential; “Lost Somebody,” the tribute to a fallen comrade and the b-boy workouts; “Möbius” and “The Donald,” a couple of joints where Consequence, Busta, Phife and Tip rock steady.

It’s been a long journey from the beginning for Tribe. It’s been a path laden with success, disappointment, defeat, death, healing and triumph. A lot of life was lived in the eighteen years that passed in between now and their most recent record. We are reminded that creating great art requires sacrifice and pain. Without it there will be no joy. This record sounds like all of that took place and got poured into its creation. Those eighteen years were time well spent because this is the best Tribe record ever. Get one right away. You can thank me later.

insideplaya

Read Full Post »

I am proud to announce that I have been officially tapped by Apple Music to join Q-Tip’s Abstract Radio Show as an announcer, contributor and friend with the task. The Abstract Radio Show can be heard every Friday night on Beats 1 Radio at 10:00 PM Eastern. As some of you may know, before I began a long and rich career in the record business, I had a brief stint in both commercial and college radio. Having grown up listening to New York Top 40 outlets, WABC and WNBC; soul music AM powerhouse, Super 1600 WWRL, progressive jazz station, WRVR and of course, the “Chief Rocker” Frankie Crocker on the pioneering, black FM, WBLS, I have been deeply influenced by the radio listening experience – in many ways, radio formed me. And so, after an absence of 34 years, I am making a return to announcing via the newest and most cutting edge radio endeavor of the moment. Available exclusively through the Apple ecosystem of devices; iPads, iPhones, iMacs and MacBooks, Beats 1 Radio can be heard in 101 countries. I will be joining an on air/online lineup that includes; Jaden Smith, Sir Elton John, Pharrell Williams, Disclosure, Run The Jewels, Ebro Darden, Drake, St. Vincent, The Fat Jew and Dr. Dre. You will be able to hear my imaging/production drops beginning next Friday, and my live announcing thereafter. I hope you will join us. Mad shouts to Ian C Rogers, Glen Ellis, Dominique Cierra Maldonado and Q-Tip, The Abstract Poetic.

insideplaya

Read Full Post »

20150627-212957.jpg

Nina Simone was way ahead of her time. “What Happened, Miss Simone?” the new Netflix documentary – that went up on the site this weekend – clearly depicts this fact. Oscar nominated, Liz Garbus and producer/music industry vet, Jayson Jackson have come up with a tale of art, power, pain, and sacrifice that has lit up the independent film festival circuit and is a must see.

Simone was a bi-polar, bi-sexual, genre defying artist/activist, whose career arc began as a child prodigy in the Black church. While growing up in her hometown of Tryon, North Carolina, Jim Crow was master of all he purveyed. But in spite of this, Nina’s obvious talent attracted the attention of white patronage and tutelage. Eventually, aspirations were stoked within the young artist’s soul for a career in classical music. The dream of glory on the stages of the great European concerts halls, playing the compositions of Beethoven, Bach and Brahms was dashed, when racist thinking prevented her acceptance into a prestigious Philadelphia based music school.

Young Nina found hope and opportunity nonetheless, and began to pursue a career as an Atlantic City nightclub singer. Notoriety that she received from this period led to a recording contract and the release of her smash rendition of Gershwin’s standard “I Loves You Porgy” and a stunning debut at the Newport Jazz Festival. What then appeared to be a promising career as a jazz influenced standards singer was redirected by the bombing death of four little girls in a Birmingham, Alabama church, the assassination of Mississippi activist, Medgar Evers and Nina’s eventual participation in a civil rights movement in full swing.

With all of her standing in the international creative community, she chose to fight for the rights of her people. Nina’s commitment to change, to justice and to better may have caused her to lose millions. The radicalized Simone performed for marchers on the eve of the Selma protests, hung out with James Baldwin, Lorraine Hansberry, and Langston Hughes and became the next door neighbor of Malcolm X. Simone’s defiant expression of Afrocentric creativity not only planted seeds for the eventual emergence of hip hop, but found supporters and followers in a nascent feminist movement that has flowered into a serious presidential candidacy for Hillary Clinton.

Last February, when John Legend received his Best Original Song Oscar for “Glory,” his collaboration with Common, from the soundtrack of “Selma,” he both quoted and thanked Nina Simone when he said, “It’s an artist’s duty to reflect the times in which we live.” Through his music and his work with the Black Lives Matter Movement, Legend has proven to be a creative and political son of Nina Simone’s that she might have been proud of. Along with Talib Kweli, J. Cole, Jigga and Q-Tip, Legend has risked commercial acceptance by raising his voice for justice.

The recent events in Ferguson, Staten Island, Cleveland and Charleston remind us that the struggle that Simone was engaged in is not over, and that lessons from the past must inform our fight for a better present and a more hopeful tomorrow. Revolutionary activist, Angela Davis has contributed liner notes to a forthcoming compilation album, “Nina Revisited: A Tribute To Nina Simone” that has been inspired by the film, and that will feature five new vocal performances from Ms. Lauryn Hill. Davis wrote this of Simone, “I first heard Nina Simone’s music as a high school student in the late 1950’s in New York. Although her name did not yet by itself evoke black freedom, as when she later sang “All I want is equality/ For my sister, my brother, and me,” I do not think that I was alone in feeling that something in her phenomenal voice beckoned us toward the battle to come. It was from Nina Simone that we learned, for example, how not to interpret the tactical importance of nonviolence as mitigation of our collective anger against racism. Thus “Mississippi Goddamn” became as important an anthem of the Civil Rights Movement as “We Shall Overcome.”

On this last weekend of Black Music Month, and while we fight to reform an unjust system that must be reminded that Black Lives Matter, it might be instructive to watch “What Happened, Miss Simone?” and remember how much further we must travel before we overcome and how hard Nina Simone fought to get us here.

Read Full Post »

20150521-144910.jpg

Jan and Marvin Gaye

After The Dance: My Life With Marvin Gaye by Jan Gaye, Marvin Gaye’s second wife, and David Ritz is a deeply moving account of a love gone wrong, and a reminder that love is seldom enough on its own. At the age of sixteen, Jan met the then thirty-three year old genius, Marvin during the early stages of his recording of the classic “Let’s Get It On” album. Her beauty, youth and presence ignited Marvin’s creativity and secured Jan’s historic role as soul music’s greatest muse. She has written a page turner that I could not put down.

Throughout the book, Jan takes great care to describe Marvin as a loving but confused patriarch who tried to provide for his wife, his children and his extended family. There are passages where Marvin’s love for his children and for Jan is apparent, and her love for him as well. She also depicts the great artist as vain, shallow, manipulative, cruel and indifferent to the wishes of loved ones – you know; a rock star. According to Jan, Marvin’s insecure doubting of her affection for him and his constant taunting drove her into affairs with both Frankie Beverly and the great Teddy Pendergrass. She also gives honest accounts of real and suspected dalliances that Marvin had with both well known and obscure women.

“After The Dance: My Life With Marvin Gaye is not a sensationalized tell all, instead it is a cautionary tale of how insecurity, dysfunction and cruelty can end the greatest of loves while that love can inspire world class art. Her uncertainty and insecurity made the then young girl submit to sexual fantasies of Marvin’s that she now regrets. Her inexperience led her to forego her education, move in with Marvin and in the name of love, abandon any pursuit of marketable skills while becoming financially dependent on a free spending addict. Jan also reveals how she and her late husband shared a deep spirituality as well as a mutual love of top shelf quality drugs. In the book, she has shared as much about her personal struggle with, and triumph over substances as she has shared about anyone else’s.

Her heartbreaking tale describes how the ill matched couple had very little chance of succeeding from the start; she had been raised in an uncertified foster care home where she’d been dumped by her loving but drug addicted mother and became the victim of sexual abuse. He had been the son of a deeply religious, evangelical cross dressing father who’d beaten Marvin mercilessly for questioning the elder’s fashion sense, and daring to raise the possibility that his gender bending attire may have brought dishonor to the family name. Marvin was also a superstar depressive who had lost his way and was using copious amounts of drugs to numb the pain from the break-up of his first marriage. Jan and Marvin never had a chance.

I spoke with Jan, earlier this year, via telephone. She called for the purpose of nervously reading the book’s first chapter to me, and getting my opinion. She hadn’t turned in her manuscript to her publisher yet, so I felt flattered by the sneak preview. I assured her that what she’d written was great, and it was, but in no way had her excerpt prepared me for the exceptionally intimate, personal and poetic work of depth and beauty that she and Ritz have delivered.

Jan describe how life at the side of a glamorous ’70s sex symbol was like living in the eye of a hurricane. She writes of the unscrupulous promoters, Marvin’s ambivalence about performing, and his stage fright. She writes of Motown pressuring the superstar for bigger and more frequent hits. She writes of Marvin’s loyalty to Motown chieftain, Berry Gordy, and Marvin’s bitter resentment of Gordy’s lack of appreciation for his artistic ambitions. The book insightfully examines the complications caused by Marvin’s marriage to, and ultimate divorce from Gordy’s sister Anna. There are also recollections of delusional managers who could not manage the great but unmanageable talent, and vignettes about accountants and business managers who could not convince Marvin to spend less frequently, save more often or pay his taxes. She has written beautifully about the gorgeous messiness of love in the shadows of stardom while it’s shrouded in the fog addiction.

Recently Jan and her children have been in the news as a result of having won a seven figure judgement against Pharrell Williams and Robin Thicke, in a copyright infringement lawsuit, over the contention that their “Blurred Lines” record of two summer’s back too closely resembled Marvin Gaye’s dance floor classic “Got To Give It Up”. It has been said that the landmark decision will put a chill on musical creativity, and that a business built on sampling the work of others has been rocked at its core. Time will tell.

Of course, for me, the most interesting portions of the book are the ones where Jan describes the creative process that Marvin, the hit maker, went through to come up with the albums; “Here My Dear”; “I Want You”; Let’s Get It On” and the smash single “Got To Give It Up”, and the subtle way that she inspired and guided Marvin to the expression of his best and higher artistic potential.

This book is her love letter to her mentor, partner and former husband who was tragically murdered by the hand of the cross dressing father who vied for control of the Gaye clan with his strong willed son. It is her deeply personal confession of the adoration, confusion and regret that she felt as a result of falling up to her eyeballs in love with one of the most creative figures of the twentieth century. It proves that Marvin’s spirit still speaks to all of us through his music and through this tremendously written work. For soul music fans and those who are interested in black creativity and pop culture it is a must read. Jan Gaye hit this one out of the park.

insideplaya

Read Full Post »

20141214-172353.jpg

Read Full Post »

IMG_4017.JPG

Read Full Post »