“Even when I get the fried-chicken special of the day, I have to dig into it like it’s filet mignon,” Viola Davis said. She was speaking not of meals, but of roles. During her 30-year career as an actress, Davis has played a crack-addicted mother (“Antwone Fisher”), the mother of an abducted child (“Prisoners”) and the mother of James Brown (“Get On Up”). Her characters often serve to “hold up the wall” of the narrative, she said, like the empathetic best friend in “Eat, Pray, Love” or the kindly stranger in “Extremely Loud and Incredibly Close.” Or the kindly mental-institution psychiatrist in “It’s Kind of a Funny Story,” the kindly rape-treatment counselor in “Trust” or the kindly medium in “Beautiful Creatures.”
“I always got the phone call that said: ‘I have a great project for you. You’re going to be with, hypothetically, Vanessa Redgrave, Julianne Moore, Annette Bening,’ ” she said, sitting in the living room of her San Fernando Valley home, barefoot on the couch in a gray T-shirt and leggings, her hair wrapped under a black turban. “Then I get the script, and I have a role that lasts for a page or two.” – New York Times Magazine correspondent, Amy Wallace hits one out of the park for this Sunday’s edition.